We have written for enough industries to know that the conventions shift considerably between them, and that no two briefs arrive the same. So the first thing our writers do is listen — to what the piece is for, who is watching it, and what it needs to achieve. The script is built from there. Deadlines are treated as fixed, and hitting them has never been an excuse for handing over something unfinished. If you are looking for screenwriters for hire, what MC Clurg Publishers offers is a deep bench and a wide range of experience to draw from.
Scripts for film and documentary alike, written with attention to the things that separate a watchable piece from a forgettable one — structure, pacing and dialogue that sounds like people talking.
Turning a concept into something that works on screen rather than merely on paper. Our video writers think in shots and cuts as much as in sentences, which is what keeps a message landing once it is filmed.
Real stories deserve to be handled carefully. Our documentary writers do the reading, sit with the difficult material, and shape it into something that informs an audience without ever misrepresenting the subject.
Narrative work at any length, from a short to a full feature. The aim is always the same — a story with enough emotional weight that an audience is still thinking about it after the credits.
For longer prose work — a novel, or a collection of shorter pieces. Our writers handle the chapter-level architecture that keeps a reader moving through a book without ever quite deciding to put it down.
Scripted content for sites and social channels, written in a voice that stays consistent wherever your audience runs into it.
Whatever the format and whatever the genre, the job is to find what your story is really about and then build the script around it. That is what our writers are good at. Get in touch and we will talk through the range of scripting work we take on and which part of it fits what you are planning.
Original video scripts, written from scratchProperly formatted before anything reaches youA critical read of the script before sign-offCopy editing included as standardScript assessment, editing and proofreadingCoaching on video contentStructural editingWhether it is a film or a stage play, our team takes the idea and builds it into something producible — writing that feels authentic rather than assembled. We script across a range of formats, including:
Advertising scripts have seconds to work with, which makes every line expensive. Ours are written to sell the product and still be worth watching — the combination that keeps a spot memorable after it has aired.
Audio is a demanding medium precisely because there is nothing to look at. Our writers understand how pacing and sound carry a story when pictures cannot, across everything from a thirty-second radio spot to a full podcast series.
One-act pieces and full-length dramas alike, written for the particular demands of a live stage and an audience sitting in the same room.
Screen work is where most of our writers spend their time. They think in scenes — what each one is doing, what it costs, and whether the story would survive without it — which is the discipline that keeps a script tight.
Games are the hardest scripts to get right, because the player keeps making choices the writer cannot control. Writing for them means telling a story through the gameplay rather than around it — miss that and what you have built is a film the audience occasionally has to press a button during
Documentary asks a script to do two things at once: stay true to the facts, and still hold an audience for ninety minutes. Pacing is usually where it fails. Our writers treat their subjects with the seriousness they deserve while keeping the narrative moving, so the finished film starts conversations rather than merely presenting information.
Drop us an email or give us a ring and we will talk you through how the work runs, what we need from you, and which package actually suits the book you have in mind. +1 (707)-353-4214 , or start a live chat.
Once a project is greenlit, we set it on a track we have run hundreds of times before. Four clear stages, each with its own owner and its own checkpoint, so nothing stalls between hands and you always know where your manuscript stands.
Placing The Order Once the order is placed, someone gets in touch and introduces you to the writing team. From that first conversation onward you are working directly with the people writing your script.
The Outline The most important document of the whole project. It sets out the plan, the scope and the scale, and everything afterwards is measured against it.
Your Feedback We would rather hear a concern early than discover it at the end, so this stage is built in deliberately — tell us what is not working and it gets dealt with.
Final Delivery The finished script arrives on schedule, polished, checked over for errors, and written to the brief you set at the start.
Late night, early morning, weekend — there is always someone on our team ready to pick up.
The nicest part of this job is the message that arrives after delivery. Here is a handful of them, from writers who let our team carry their manuscript over the line.
I came to MC Clurg Publishers with half a draft and low expectations. What came back read better than anything I could have written alone. Genuinely impressed by this team.
A few weeks into working with MC Clurg Publishers I stopped worrying entirely. Someone was always reachable, and not once did I have to chase an update.
Writing, editing, cover, listings — MC Clurg Publishers handled all of it while I got on with my actual job. Having one team own the whole thing made an enormous difference.
I priced this out with four other companies before choosing MC Clurg Publishers, and nobody came close on value. The work was careful, the process was calm, and the quote held.
Easy people to work with, start to finish. The team at MC Clurg Publishers stayed with my project right through launch instead of disappearing once the manuscript was signed off.
