No book should be locked to the page. We handle recording in whatever order and arrangement suits your title, with narrators who have spent years learning how to carry a chapter by voice alone. The standards we hold ourselves to — on quality, on turnaround, on answering the phone — are the ones we would want as a client.
Autobiography writing
Non-fiction writing
Editing and proofreading
Book cover design
Fiction writing
Business book writing
The difference between a decent audiobook and one people finish usually comes down to casting. Our narrators work across every genre, and they know the tonal difference between a tightening mystery and a quiet love scene. Nothing is locked in without your say either — if a read is not sitting right, we adjust it, re-record it, and keep going until the recording sounds like the book you wrote.
Drop us an email or give us a ring and we will talk you through how the work runs, what we need from you, and which package actually suits the book you have in mind. +1 (707)-353-4214 , or start a live chat.
A finished audiobook is part performance and part engineering. Here is how the two come together on our side.
You have a book you would like people to be able to listen to. We start by talking through what it is, who it is for, and what you want the recording to do.
Next we settle on how it should sound — pace, delivery, the character of the read. A sweeping adventure and an intimate romance call for very different things, and it is worth getting this right before anyone steps into a booth.
We shortlist narrators from our roster who suit the material and send you samples of each reading from your text. You pick. Recording only begins once you have heard the voice and agreed it fits.
With casting settled, the read begins. Your narrator works through the manuscript chapter by chapter while our engineers handle the technical side — levels, noise floor, pacing between sections — so the finished audio is clean enough to disappear behind the story.
The full recording comes to you before it goes anywhere else. Listen through, mark anything that lands wrong — a mispronounced name, a scene read too fast — and we will fix it. Revisions continue until you are happy with it.
Once it is signed off, we handle getting it out — submission and distribution across the major audiobook platforms, with the metadata set up correctly so listeners can actually find it.
Give us a call whenever you are ready to start.
The nicest part of this job is the message that arrives after delivery. Here is a handful of them, from writers who let our team carry their manuscript over the line.
I came to MC Clurg Publishers with half a draft and low expectations. What came back read better than anything I could have written alone. Genuinely impressed by this team.
A few weeks into working with MC Clurg Publishers I stopped worrying entirely. Someone was always reachable, and not once did I have to chase an update.
Writing, editing, cover, listings — MC Clurg Publishers handled all of it while I got on with my actual job. Having one team own the whole thing made an enormous difference.
I priced this out with four other companies before choosing MC Clurg Publishers, and nobody came close on value. The work was careful, the process was calm, and the quote held.
Easy people to work with, start to finish. The team at MC Clurg Publishers stayed with my project right through launch instead of disappearing once the manuscript was signed off.
